Holocaust denial consists of claims that the genocide of Jews during World War II – usually referred to as the Holocaust – did not occur at all, or that it did not happen in the manner or to the extent historically recognized.

Key elements of these claims are the rejection of any of the following: that the German Nazi government had a policy of deliberately targeting Jews for extermination as a people; that more than five million Jews were systematically killed by the Nazis and their allies; and that genocide was carried out at extermination camps using tools of mass murder, such as gas chambers.

Holocaust deniers generally do not accept the term “denial” as an appropriate description of their point of view, and use the term Holocaust revisionism instead. Scholars use the term “denial” to differentiate Holocaust deniers from historical revisionists, who use established historical methodologies.

The methodologies of Holocaust deniers are criticized as based on a predetermined conclusion that ignores extensive historical evidence to the contrary.

Most Holocaust denial claims imply, or openly state, that the Holocaust is a hoax arising out of a deliberate Jewish conspiracy to advance the interest of Jews at the expense of other peoples. For this reason, Holocaust denial is generally considered to be an antisemitic conspiracy theory.

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The United States supports Israel in a variety of ways. We give them all sorts of military and economic support, roughly 3 billion dollars a year. Israel, despite the fact, it is a relatively rich country, receives more foreign aid than any other other country in the world. We veto resolutions in the United Nations all the time that are critical to Israel. Is one allowed to question that reality, or is the pro-Israel lobby so strong, financially and politically, that the relationship with Israel is taboo and therefore unmentionable? And what happens to those who dare expose the unmentionable?

In March 2006 the American political scientists John Mearsheimer (University of Chicago) and Steve Walt (Harvard) published the controversial article ‘The Israel Lobby and US foreign policy’. In it they state that it is not, or no longer, expedient for the US to support and protect present-day Israel. Together with the power shifts in Congress and the increasing doubts about the current Middle-East policy, this could become the fuse in the powder keg. Backlight talks to the people concerned in this ‘new realism’ debate.

The documentary sheds light on both parties involved in the discussion: those who wish to maintain the strong tie between the US and Israel (Neocon Richard Perle, televangelist John Hagee, and lobby organization AIPAC), and those who were critical of it and not infrequently became ‘victims’ of the lobby. Member of Congress Earl Hilliard from Alabama advocated a rapprochement with the Arab world and was promptly ousted by a political adversary who had the support of Aipac money. Historian Tony Judt, who tried to maintain that Israel was becoming a belligerent and intolerant ethno-state, driven by religion, found a lecture cancelled at the last minute. And Human Rights Watch director Kenneth Roth was personally attacked after he had criticised the violence Israel had used in the mini-war against Lebanon last summer.

Finally the question arises to what extend the pro-Israel lobby ultimately determines the military and political importance of Israel itself. Colonel Lawrence Wilkerson (Colin Powell’s ex chief-of-staff) explains how the lobby’s influence affects the decision-making structure in the White House. The lobby, Congress, the White House and Israel itself seem to have ended up in a suffocating embrace: will it ever change and how could it?Tony Judt and Richard Perle conclude by raising the crucial matters: what is the alternative? And what other friends can Israel count on?

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If all of the votes have been counted in Florida and if all of the African American had the opportunity to cast a vote, George Bush would have never been President of the United States. We wouldn’t be involved in a war in Iraq and the make up of the Supreme Court would be different. Many have heard of the alleged voting irregularities that occurred during the presidential elections of 2000 and 2004. Until now, these incidents have gone under- reported and are commonly written-off as insignificant rumors or unintentional mishaps resulting from an overburdened election system. American Blackout chronicles the recurring patterns of voter disenfranchisement from Florida 2000 to Ohio 2004 while following the story of Georgia Congresswoman Cynthia McKinney. Mckinney not only took an active role investigating these election debacles, but has found herself in the middle of her own after publicly questioning the Bush Administration about the 9/11 terrorist attacks.

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The Arab is a one-dimensional caricature, a cartoon cutout used by film makers as stock villains and as comic relief. And so, over and over, we see Arabs in movies portrayed as buffoons, their only purpose being to deliver cheap laughs. This groundbreaking documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged from the earliest days of silent film to today’s biggest Hollywood blockbusters. Featuring acclaimed author Dr. Jack Shaheen, the film explores a long line of degrading images of Arabs–from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding “terrorists”–along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.

Shaheen shows how the persistence of these images over time has served to naturalize prejudicial attitudes toward Arabs and Arab culture, in the process reinforcing a narrow view of individual Arabs and the effects of specific US domestic and international policies on their lives. By inspiring critical thinking about the social, political, and basic human consequences of leaving these Hollywood caricatures unexamined, the film challenges viewers to recognize the urgent need for counter-narratives that do justice to the diversity and humanity of Arab people and the reality and richness of Arab history and culture.

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Secrecy is the freedom that zealots dream of; no watchman to check the door, no accountant to check the books, no judge to check the law. The secret government has no constitution. The rules it follows are the rules it makes up. This is the full length 90 min. version of Bill Moyer’s 1987 scathing critique of the criminal subterfuge carried out by the Executive Branch of the United States Government to carry out operations which are clearly contrary to the wishes and values of the American people. The ability to exercise this power with impunity is facilitated by the National Security Act of 1947. The thrust of the exposé is the Iran-Contra arms and drug-running operations which flooded the streets of our nation with crack cocaine.

The significance of the documentary is probably greater today in 2007 than it was when it was made. We now have a situation in which these same forces have committed the most egregious terrorist attack on US soil and have declared a fraudulent so-called “War on Terror”. The ruling regime in the US who have conducted the invasions of Afghanistan and Iraq, are now banging the war drum against Iran. We have the PATRIOT act which has stripped us of many of our basic civil rights justified by the terror of 9/11 which is their own doing.

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In real time, officials have explained and justified these military operations to the American people by withholding crucial information about the actual reasons and potential costs of military action again and again, choosing to present an easier version of war’s reality; a steady and remarkably consistent storyline designed not to inform, but to generate and maintain support and enthusiasm for war. War Made Easy reaches into the Orwellian memory hole to expose a 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Narrated by actor and activist Sean Penn, the film exhumes remarkable archival footage of official distortion and exaggeration from LBJ to George W. Bush, revealing in stunning detail how the American news media have uncritically disseminated the pro-war messages of successive presidential administrations.

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They have not established that greenhouse gases are warming the earth. The IPCC is a political organization set up by the United Nations to provide evidence to support the framework convention on climate change, which has been signed by governments; it is entirely political. Interviews of climate scientists and biologists from numerous sources who explain, step by step, why Al Gore and the global warming alarmists are incorrect. In some cases, blatantly so. It also provides evidence that the global warming agenda is being funded with tens of billions of dollars as a mechanism to create global governance. Hear from congressmen, experts and even well-known news broadcasters how global governance puts global institutions that are not accountable to the American people in control of every aspect of our economy. The U.S. government is very close to making this a reality. Very close.

Every American, every citizen of the world, needs to hear the other side of the global warming story.

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This documentary explores the highly controversial subject of the design of America’s capital. Was the city built to reflect the majesty of America’s newfound freedom? Or the hidden agenda of secret societies? With every major cornerstone laid by Freemasons, was the city built in a Masonic pattern? Embark upon this incredible journey as Riddles in Stone interviews experts on both sides of the heated debate. Watch as Freemason apologists defend some of the most direct and hard-hitting questions concerning the influence of Masonry in America, and its symbolism in Washington, D.C.

Alongside them are leading researchers who maintain that occult architecture permeates the city, and conceals a secret agenda. Was D.C. laid out according to the pattern of the stars? Is there really a pentagram in the street layout north of the White House? Does a Masonic square and compass extend from the Capitol building to the Washington monument? And why is the city filled with zodiac symbols, mysterious faces, and various god and goddess images? If America was founded as a Christian nation only, where are the images of Jesus Christ? Or does Washington D.C. symbolize another Christ, the Masonic Christ?

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I believe that the public is still uninformed about most of the issues that are surrounding 911. I think that they still believe in the myth that there was nothing we could do about it, that we were caught unaware, and that today we would be better prepared. In late 2006, the movie 9/11 Press For Truth became a worldwide underground hit. It exposed the story of the “Jersey Girls” and their allies – the 9/11 families who had fought for the Commission but ultimately failed in seeing 70% of their questions answered.

IN THEIR OWN WORDS: THE UNTOLD STORIES OF THE 9/11 FAMILIES is the new, official companion DVD to 9/11 Press For Truth. Over 2 hours of unseen families’ interviews and rare news clips originally intended for inclusion in the movie ended up on the cutting room floor – until now.

A unique, balanced look at a diverse group of topics includes: Top officials’ whereabouts and changing stories on the day of 9/11; Insider trading before the attacks; War games coinciding with Sept. 11th; A confrontation between the families and FBI Director Mueller; British reports that some of the hijackers named by the FBI are simply wrong; Government whistleblowers’ calls for accountability; The FBI informant who lived with 2 of the hijackers; A Defense Department program that identified 4 hijackers in 2000; The families’ push to receive the Pentagon crash tapes; Bin Laden extradition negotiations after 9/11; The Project For the New American Century.

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The late Carl Sagan said (which is related to this documentary) “We’ve arranged a global civilization in which most crucial elements profoundly depend on science and technology. We’ve also arranged things so that almost no one understands science or technology. We might get away with it for a while, but sooner or later, this combustible mixture of ignorance and power is going to blow up in our faces”. This documentary film poses the question: Are we making Holes in Heaven? HAARP (High Frequency Active Auroral Research Program) is a controversial high frequency radio transmitter, or “ionospheric heater,” which is believed to be descended from the works of Nikola Tesla and is operated by the U.S. Navy/Air Force and Phillip Laboratories in remote Gakona, Alaska.

Using HAARP, the military can focus a billion-watt pulsed radio beam into our upper atmosphere, ostensibly for ionospheric research. This procedure will form extremely low frequency waves and send them back to the Earth, enhancing communications with submarines and allowing us to “see” into the Earth, detecting anything from oil reserves to underground missile silos.

However, several researchers claim HAARP poses many dangers, including blowing thirty-mile holes in the Earth’s upper atmosphere. They also warn of possible disruption of the subtle magnetic energies of our Earth and ourselves. Holes in Heaven? is a prime example of grassroots filmmaking by producer Paula Randol-Smith and Emmy-winning director Wendy Robbins. Narrated by Martin Sheen, the documentary, investigates HAARP, its history and implications, and examines the dangers and benefits of high and low frequencies and of electromagnetic technology.

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